Date: 06 June 1996
To: RichMailList
Subject: [RichMailList 69]: Bellingham reviews

Hi Rich fans,

Here's some reviews on Rich's appearance in Bellingham, WA on May 18, 1996


James Townsley writes:
Yeah, I was there.  I finally got to meet Rich, although I think he was
about ready to keel over from exhaustion by the time he came out to sign
autographs.  The concert was excellent, it reminded me a little of sitting
in a friend's living room while he played you some stuff that he wrote.  (I
was in the third row, so it may not have felt that intimate to those on the
balcony.)  As I had hoped, Carolyn Arends showed up and did a set in the
middle of Rich's.  She sang Jacob and Two Women, and did an excellent job.
I was at his Seattle concert, and I think I liked the Bellingham one better.
The Seattle concert was great and Rich had the advantage of a whole band to
back him up, but the Bellingham concert had the intimacy (and the more
comfortable seats!) that the Seattle concert lacked.

Later,
James Townsley
jamtown@mindlink.bc.ca

Vicki Kennerud writes:
Yeppers, I was there.  It was my first Rich M. concert.  I had a great time.
Loved the bit at the end where he split different sections of the audience
up to make different sounds to make it sound like rain.  (Not explaining
this well, but you probably know what I  mean!)


I'm not too good at doing reviews or knowing song titles so probably
couldn't even give you a song list of what was performed, but he did my
favorite "If I stand".  :)

Vicki
kennerud@oz.net

Here's a review from Brian William, who manages the Rich Mullins Fan Page.
Well, here goes.  Concert on May 18, 1996 at Bellingham High School:

  In his typical humble and unassuming manner, Rich Mullins took the stage 
on May 18 at Bellingham, Washington.  No light show, no trumpet fanfare, 
no piano rising from the stage.  He simply wandered over to the piano 
stool and sat down, turned towards the microphone, and told us, "Here's a 
song I played for years before Amy Grant took it and messed it up."  
After smiling at his friendly jab, he began playing "Praise to the 
Lord," and an amazing evening with Rich Mullins was underway.  It was 
surprising in that it was identical to the Zion recording he made over 
fifteen years ago.  The piano arrangement was exactly the same, although 
he has surely played it thousands of times since then.  All of the 
passion and intensity that marked his music back then is still as evident 
as ever, and his piano playing was flawless in comparison to his early 
music days while still in college (for the first time, that is! :->).
  While still at the piano, Rich moved without speaking into "Here In 
America" and "Screen Door" before switching over to the guitar to play "I 
Will Sing" and then "Hope to Carry On."  Then Mitch McVicker joined him on 
stage and they played "Where You Are," "Creed," and "Calling Out Your 
Name" together.  Rich explained the musical that he and Mitch have been 
working on for the past year.  The story is that of St. Francis of 
Asissi, but instead of a monk in the Middle Ages, "Frank" is a cowboy in 
nineteenth century America.  From talking to Mitch after the concert, 
their plans are to release the music as an album later this year and then 
hopefully release the performance of the entire work on video later.  He 
didn't say if they were thinking about taking the actors on the road to 
perform as a part of a tour, but that would be quite ambitious.  
Recording of the music was to begin the day after the concert, so the 
studio work is probably finished.  After introducing the musical, he told 
us about the origins of the interest in St Francis.  He and Beaker 
founded the order for people who wanted that type of lifestyle but were too 
chicken to join the Catholic Church.  Mitch was introduced as the newest 
member.  Rich and Mitch played a selection from the musical, but I didn't 
catch the name of it, somebody's world.  If it is any indication of the 
quality of the music in the rest of the play, I'm excited to hear the 
completed work.
  After the song, Rich explained that Beaker was no longer touring with 
him because he was spending his time being a dad.  He told us that he 
thought that being a dad was really cool and that for all the parents in 
the audience to consider parenthood one of the highest callings 
possible.  He said that a parent bringing up their kids with all the 
love and support that they need is a blessed thing to witness.  And for 
parents who aren't always caring for their kids the way they should: 
"Well, we all make mistakes and that's alright, but you should just spend 
the time loving your kids the way they need to be loved."  He said that 
Beaker was talking one day about his son, Aidan, and that one night he 
went in to tuck Aidan in and kneeled down for their "talking to God" 
time.  Aidan started out by saying, "Thank you Lord for this day," and 
then without a word from his dad, Aidan took it from there and did the 
rest by himself.  Rich thought that introducing a spouse or other loved 
one to know God was a blessed event, but that a son or daughter was even 
more powerful an experience.  After speaking about Aidan for so long, 
Rich naturally began singing "Let Mercy Lead" and then followed it with 
"Bound to Come Some Trouble."
  At this point, Carolyn Arends surprised everyone by joining Mitch and 
him on stage.  There was no hint that she would be there until she 
appeared and it took most people a few seconds to realize who she was.  
But once the audience recognized her, it was clear from the excited 
murmurs that she was *definitely* a welcome surprise.  The three of them 
led us in the old campfire round.  One group sang "I'm Gonna Sing" while 
another sang "Swing Low, Sweet Chariot" and a third sand "Oh When the 
Saints."  It was always fun around the campfire, but nothing like 1,700 
people singing with the direction of several of the best Christian music 
has to offer!  So that was lots of fun.  Carolyn followed with two songs 
of her own, "What I Wouldn't Give" and "Seize the Day."  She also told 
us that she had been involved in a tribute concert for Rich in Nashville 
and performed for us her rendition of "Jacob and 2 Women."  Carolyn was 
finished with her selections all too quickly, but it was soon forgotten 
as Rich returned to sing "Step By Step" for us.
  Rich told us about his upcoming teaching assignment at the mission 
school in Arizona for the Navajo tribe.  He told us it is the only 
mission school in the country that is accredited as a real school, and 
he couldn't understand why more of them weren't up to the same standards 
as regular schools.  He said that many things are done shoddily in the 
name of Christ, as if putting his name with it gives it extra 
credence.  Rich thought that if we wanted to do a bad job at something, 
we should use our own name and keep Christ's out of it.  This school was 
something that Rich said he could feel proud about and know that the 
children were receiving a quality education at the same time as they 
learned about Christ.  He told us that while he was visiting the mission 
school, a reporter from Chicago was visiting to interview him for an 
article he was writing.  The only problem was that the reporter had 
already planned for the article to be about how ignorant the Indian 
children were and how Rich was going to be a superhero to go and educate 
them.  The education that occurred was in the other direction in this 
case though.  Because while they were conducting the interview, one of 
the little boys at the school came to Rich and showed him a model solar 
system he was working on.  He told him about the distance between the 
planets and the distance to the stars and how many million miles it was, 
he told him about the size of the planets and the differences between 
them, he told him about comets and asetroids and meteors, he told Rich 
about all of these things that Rich and the reporter didn't even know.  
When the man from Chicago realized that these were not the ignorant, 
uncivilized children he had imagined, he left and returned to his 
newspaper without even finishing the interview.  He didn't realize that 
Rich simply wanted to share the love of God and the love of music with 
children at a mission school in Arizona.  And Rich said that the hardest 
part of his student teaching at the public schools was that he couldn't 
share his faith with them at the same time as he taught them music.  He 
seemed to be very excited about the chance to share music with them and 
at the same time be able to share his faith.
  He then began to speak of the government.  He told us that if there is 
any hope for peace and justice in the world, it won't come from the 
government.  Instead, it will come from the church.  After four years 
of President Clinton, the religious right has worked very hard to come up 
with a candidate to run against him, and they haven't found one.  That, 
Rich told us, is good news.  Rich described the work that he has done 
with Compassion International overseas, but also emphasized the 
importance of the work that is needed here in the United States.  He 
encouraged us to support the work that they do with our prayers and our 
offerings, and we watched a short video describing the work being done by 
Compassion International in the inner cities and Indian Reservations of 
America.  After the video, there was a short intermission.
  After a few minutes, Rich and Mitch played a Bach duet on mandolins.  
"Brother's Keeper" followed the intermission.  Rich then told us a story 
about Irish Erin sweaters.  The Irish were a nation of sailors, but the 
boats they made weren't very safe, so they often would sink.  The women 
would knit the sweaters while their husbands were at sea, and they would 
say a special prayer while knitting.  The husbands would then wear the 
finished sweaters while at sea and if the boat sank and they died, the 
sweaters would eventually wash up on the shore and they could be 
identified.  After he finished, Rich said, "I don't know why I tell 
audiences that story.  It's so charming and tragic."  He introduced the 
song as one that, "I didn't write, but I wish I had," and then sang a 
very beautiful rendition of "Ready for the Storm" with help from the 
audience.  It gave me a new appreciation for the song.
  Rich then told us that he didn't become a Christian because he was 
impressed with a building he went to or because of a sermon he heard 
or a hymn he sang or anything like that.  He said he became a Christian 
because of what Jesus did.  If Jesus didn't do what we say He did, then 
the rest is just garbage anyway.  He also said that the people in the 
church supported him and were there for him when he needed it.  Then 
answered his questions when they could and they told him they didn't 
know when they couldn't.  He appreciated the honesty and forthright 
attitude that they used.  He also appreciated that they told him off the 
times that he sinned and made mistakes.
  Finally, he opened it up for requests, "Are there any songs other than 
Awesome God that you wanted to hear?"  Somebody yelled out "Peace," and 
he sang it for us.  It was followed with "If I Stand," and I was very 
grateful to hear it, because I *love* the song and he skipped it last 
concert.  He told us that sometimes he is asked where he gets his 
inspiration for the songs he writes.  "Well duh, whatever the song is 
about!" he told us, "That always kind of hurts my feelings.  If you say 
I don't get this song, that's fine because I'll probably agree with 
you."
  Finally, he started the first few bars on the piano and everyone 
instantly recognized "Awesome God."  With the crowd joyously singing 
along on the refrain, he sang it as if he really enjoyed it, and not as 
if it were the millionth time to do it.  He said afterwards, "People ask 
me if I ever get tired of singing that song.  Well, I do!"  Lots of 
laughter for that one.  He led us all in "It is Well With My Soul" 
followed by the Doxology.  Rich left the stage the same way he came on, 
by casually wandering off.  The thunderous applause was enough to finally 
get him back to play a couple more, though.  He sang "Elijah" for us and 
then had us do his favorite rain trick, "I always love this one," he 
told us.  The audience was split into four parts and we each did our 
portion of the rainstorm at his cue by either snapping our fingers 
together or clapping our hands or slapping our knees.  Again, 1,700 
people in an auditorium was quite amazing in comparison to my campfire 
memories.  Instead of a little shower, it was a genuine thunderstorm 
downpour!  And Rich was grinning from ear to ear by the end of it 
because it worked so well.
And with that, the concert was finished.  And no encores the second 
time.  I caught him backstage for just a second, but twenty other people 
had the same idea, and there wasn't much of a chance to talk to him.  
June 24 is supposed to be the date for the release of the greatest hits 
album.  So, until the next time that Rich comes this direction to 
perform, there will be memories and a few photographs.  And eight albums 
worth of music to listen to!


Oof, well.  There it all is.  A bit longer than I expected it, I'll 
admit.  It's probably a good thing that I didn't take that tape recorder, 
or it probably would have been twice as long as this! :->  Anyway, it's 
late, so I'm going to bed.  But I'll add it to the webpage some time.  In 
any case, I hope people enjoy it.  Talk to you later!
*Brian

Thanks everybody, for sharing.
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